/* ── base ──────────────────────────────────────────────────────────────
 * Ground and ink. No palette in theme/zn-theme.css is light (checked: zero combos above luminance
 * 200) and the per-case grounds are saturated darks, so the warm paper is declared here. Warm
 * rather than the reference's cool near-white is the clearest point of separation at a glance.
 */
:root {
  --v4-paper: #F4F1EA; --v4-paper-2: #EEEAE1; --v4-paper-3: #E7E2D7;
  --v4-ink: #17201C; --v4-ink-2: #4A544E; --v4-mute: #666E67;   /* mute 4.5:1 on the paper (was #8C938C, 2.8:1) */
  --v4-line: #DCD6C9; --v4-accent: #2F6F4F;
}
html, body {
  margin: 0; padding: 0;
  background: var(--v4-paper); color: var(--v4-ink);
  font-family: "Origin", "Helvetica Neue", Helvetica, Arial, sans-serif;
  -webkit-font-smoothing: antialiased; -moz-osx-font-smoothing: grayscale;
}
body.v6 .v6-intro { min-height: 62vh; display: grid; place-items: center; padding: 0 var(--v6-gutter); }
body.v6 footer.v6-end { padding: 48px 0 64px; border-top: 1px solid var(--v4-line); }
body.v6 .v6-reel { padding-top: 6vh; }

/* v6 design direction — preview/dmcg-direction
 *
 * A pass across four areas after auditing dmcg.co: page architecture and grid, type and colour,
 * motion and interaction, and how work is presented.
 *
 * What is borrowed, deliberately: fixed chrome with the work moving through it, one asset per
 * viewport, the blur-to-sharp reveal, the image carrying the link with its title held back until
 * hover, and a type scale that sits small and quiet so nothing competes with the work.
 *
 * What stays ours, equally deliberately: area-inktrap rather than a neo-grotesk, the warm paper
 * grounds rather than cool white, the ASCII vocabulary running through the reveal, and a line of
 * role and scope under every piece. That last one is not decoration. dmcg.co can say nothing
 * because its visitor already wants a studio; this site is read by people deciding whether to run a
 * search, and a portfolio that withholds the seat fails them.
 *
 * Loaded after v5-styles.css, so it overrides rather than replaces. Reverting is one <link>.
 */

/* ───────────────────────────────────────────────────────────── type
 * Eight sizes down to five, top end pulled from 64px to 42, tracking opened at the small end.
 * The old scale shouted at the top and whispered at the bottom; this one holds one voice.
 */
:root {
  --v6-step-0: 12px;    /* labels, meta */
  --v6-step-1: 14px;    /* body small */
  --v6-step-2: 17px;    /* body */
  --v6-step-3: 19px;    /* section lead */
  --v6-step-4: clamp(22px, 2.2vw, 28px);  /* the only large size on the page; was 28-42, too big */

  --v6-track-tight: -0.018em;
  --v6-track-wide: 0.055em;   /* dmcg sets positive tracking at small sizes; it is why 11px reads */
  --v6-lead-body: 1.62;
  --v6-lead-display: 1.3;

  --v6-ease: cubic-bezier(.22, 1, .36, 1);        /* expo-out, the site already used this family */
  --v6-ease-soft: cubic-bezier(.4, 0, .2, 1);
  --v6-reveal-ms: 620ms;

  --v6-gutter: clamp(18px, 4vw, 56px);
  --v6-rhythm: clamp(96px, 16vh, 220px);           /* space between work items */
}

body.v6 {
  font-size: var(--v6-step-2);
  line-height: var(--v6-lead-body);
  letter-spacing: 0;
}

body.v6 .v6-label {
  font-size: var(--v6-step-0);
  letter-spacing: var(--v6-track-wide);
  text-transform: uppercase;
  color: var(--v4-mute);
  font-weight: 500;
}

body.v6 .v6-display {
  font-size: var(--v6-step-4);
  line-height: var(--v6-lead-display);
  letter-spacing: var(--v6-track-tight);
  font-weight: 400;
  max-width: 18ch;
}

body.v6 p { text-wrap: pretty; font-size: var(--v6-step-2); line-height: var(--v6-lead-body); max-width: 62ch; }
body.v6 .v6-small { font-size: var(--v6-step-1); color: var(--v4-ink-2, var(--v4-ink)); }

/* ───────────────────────────────────────────────────────── chrome
 * The frame stays, the work passes through it. Wordmark pinned top centre, two corner labels
 * pinned bottom. Borrowed wholesale, because it is the single thing that makes that site feel like
 * a gallery rather than a page.
 *
 * Ours: the nav links stay reachable. Hiding Work, About and Contact behind a hamburger would read
 * as taste and cost a recruiter the thirty seconds they are willing to give.
 */
body.v6 .v6-chrome {
  position: fixed; inset: 0; z-index: 60; pointer-events: none;
  padding: var(--v6-gutter);
  display: grid;
  grid-template-rows: auto 1fr auto;
  grid-template-columns: 1fr auto 1fr;
}
body.v6 .v6-chrome > * { pointer-events: auto; }

body.v6 .v6-mark {
  font-weight: 300;
  grid-row: 1; grid-column: 2;
  text-align: center;
  font-size: var(--v6-step-1);
  line-height: 1.32;
  letter-spacing: var(--v6-track-tight);
  color: var(--v4-ink);
  text-decoration: none;
}
body.v6 .v6-mark b { text-transform: uppercase; font-weight: 900; font-size: 18px; line-height: 1.2; display: block; margin-bottom: 5px; }

body.v6 .v6-nav {
  grid-row: 1; grid-column: 3;
  justify-self: end; align-self: start;
  display: flex; gap: 18px;
}
body.v6 .v6-nav a {
  font-size: var(--v6-step-0);
  letter-spacing: var(--v6-track-wide);
  text-transform: uppercase;
  color: var(--v4-mute);
  text-decoration: none;
  transition: color .24s var(--v6-ease);
}
body.v6 .v6-nav a:hover, body.v6 .v6-nav a.is-on { color: var(--v4-ink); }

body.v6 .v6-foot-l { grid-row: 3; grid-column: 1; align-self: end; }
body.v6 .v6-foot-r { grid-row: 3; grid-column: 3; align-self: end; justify-self: end; }

/* The chrome sits over a scrolling page, so it needs its own legibility at the edges without a
 * hard bar. A short scrim is enough and keeps the paper reading as paper. */
body.v6 .v6-chrome::before,
body.v6 .v6-chrome::after {
  content: ""; position: absolute; left: 0; right: 0; height: 92px; pointer-events: none;
}
body.v6 .v6-chrome::before { top: 0; background: linear-gradient(var(--v4-paper), transparent); }
body.v6 .v6-chrome::after { bottom: 0; background: linear-gradient(transparent, var(--v4-paper)); }

@media (max-width: 760px) {
  body.v6 .v6-chrome { grid-template-columns: 1fr auto; }
  body.v6 .v6-nav { grid-row: 3; grid-column: 2; align-self: end; }
  body.v6 .v6-foot-r { display: none; }
}

/* ──────────────────────────────────────────────── work presentation
 * One asset per viewport, centred, with everything else out of the way. The title is held back
 * until hover so the index reads as a sequence of work rather than a list of links.
 */
body.v6 .v6-reel { padding: 0 var(--v6-gutter); }

body.v6 .v6-piece {
  min-height: 86vh;
  display: grid;
  place-items: center;
  position: relative;
  margin-bottom: var(--v6-rhythm);
}

body.v6 .v6-piece-media {
  position: relative;
  display: block;
  max-width: min(760px, 86vw);
  text-decoration: none;
  color: inherit;
}
body.v6 .v6-piece-media img,
body.v6 .v6-piece-media video {
  display: block; width: 100%; height: auto;
  transition: transform .72s var(--v6-ease), filter .72s var(--v6-ease);
}
body.v6 .v6-piece-media:hover img,
body.v6 .v6-piece-media:hover video { transform: scale(1.014); }

/* The caption is the departure from the reference. dmcg shows nothing; this shows the name on
 * hover and keeps role and year permanently, small and quiet. The work still leads, and a reader
 * scanning for scope is not asked to click eight times to find it. */
body.v6 .v6-piece-name {
  position: absolute; left: 0; bottom: -34px;
  font-size: var(--v6-step-1);
  letter-spacing: var(--v6-track-tight);
  opacity: 0; transform: translateY(5px);
  transition: opacity .34s var(--v6-ease), transform .34s var(--v6-ease);
}
body.v6 .v6-piece-media:hover .v6-piece-name,
body.v6 .v6-piece-media:focus-visible .v6-piece-name { opacity: 1; transform: none; }

body.v6 .v6-piece-meta {
  position: absolute; right: 0; bottom: -34px;
  font-size: var(--v6-step-0);
  letter-spacing: var(--v6-track-wide);
  text-transform: uppercase;
  color: var(--v4-mute);
}

@media (max-width: 760px) {
  body.v6 .v6-piece { min-height: auto; margin-bottom: clamp(64px, 12vh, 120px); }
  body.v6 .v6-piece-name { position: static; opacity: 1; transform: none; margin-top: 12px; }
  body.v6 .v6-piece-meta { position: static; display: block; margin-top: 2px; }
}

/* ────────────────────────────────────────────────────────── reveal
 * blur(14px) -> 0 with opacity, 0.6s. The canvas dissolve in sqs/zn-reveal.js runs over the top on
 * the same clock, so the glyph field erodes as the image sharpens.
 */
body.v6 [data-reveal] {
  opacity: 0;
  filter: blur(14px);
  transition:
    opacity var(--v6-reveal-ms) var(--v6-ease-soft),
    filter var(--v6-reveal-ms) var(--v6-ease-soft),
    transform var(--v6-reveal-ms) var(--v6-ease);
  transform: translateY(10px);
  will-change: opacity, filter, transform;
}
body.v6 [data-reveal].is-revealed {
  opacity: 1; filter: blur(0); transform: none;
}
body.v6 [data-reveal].is-revealed { will-change: auto; }

/* Nothing here is load-bearing, so reduced motion gets the content with none of the choreography. */
@media (prefers-reduced-motion: reduce) {
  body.v6 [data-reveal] { opacity: 1; filter: none; transform: none; transition: none; }
  body.v6 .v6-piece-media img, body.v6 .v6-piece-media video { transition: none; }
  body.v6 .v6-piece-name { opacity: 1; transform: none; }
}

/* ──────────────────────────────────────────── the legible layer
 * The part dmcg.co does not have and this site cannot do without. A compact band that answers
 * seat, scope and outcome before anyone clicks anything. Small, set in the label style, sitting
 * under the reel rather than above it, so the work still opens the page.
 */
body.v6 .v6-ledger {
  padding: var(--v6-rhythm) var(--v6-gutter);
  border-top: 1px solid var(--v4-line);
  display: grid;
  gap: clamp(20px, 3vw, 40px);
  grid-template-columns: repeat(auto-fit, minmax(210px, 1fr));
}
body.v6 .v6-ledger dt {
  font-size: var(--v6-step-0);
  letter-spacing: var(--v6-track-wide);
  text-transform: uppercase;
  color: var(--v4-mute);
  margin-bottom: 7px;
}
body.v6 .v6-ledger dd { margin: 0; font-size: var(--v6-step-1); line-height: 1.5; }
body.v6 .v6-ledger dd + dd { margin-top: 5px; }


/* ─────────────────────────────────────────────── iteration, pass 2
 * Scored against the reference at roughly 7/10 on feel. Two things were holding it back: an intro
 * headline where the reference has none at all, and every slot a still where the reference pairs
 * video with each one. The opening line is now set at body size and sits as a caption rather than
 * a headline, and the reel breathes wider so a piece genuinely owns its viewport.
 */
body.v6 .v6-opening {
  max-width: 46ch;
  margin: 0 auto;
  text-align: center;
  font-size: var(--v6-step-2);
  line-height: 1.58;
  color: var(--v4-ink-2);
}
body.v6 .v6-intro { min-height: 62vh; }
body.v6 .v6-piece { min-height: 94vh; }
body.v6 :root, body.v6 { --v6-rhythm: clamp(80px, 10vw, 144px); }
body.v6 .v6-piece-media { max-width: min(680px, 78vw); }

/* Video reads as a still until it is looked at, which keeps the page quiet on load and is how the
 * reference handles it. */
body.v6 .v6-piece-media video { display: block; width: 100%; height: auto; }


/* ─────────────────────────────────────────────── iteration, pass 3
 * The last thing holding the feel back was uniformity. Every piece sat at the same width, which
 * reads as a feed. The reference varies scale by what the asset is: a wordmark sits small and
 * centred, a phone mockup narrow and tall, a browser frame wide. The column becomes composed
 * rather than listed, and the eye is given somewhere to rest between the big moments.
 */
body.v6 .v6-piece-media.is-wide   { max-width: min(980px, 92vw); }
body.v6 .v6-piece-media.is-narrow { max-width: min(380px, 56vw); }
body.v6 .v6-piece-media.is-mark   { max-width: min(300px, 48vw); }

/* Edge-to-edge photographs sit heavily on paper. A hairline and a small radius let the ground
 * stay visible around them, which is what keeps the reference airy. Not a card and not a shadow:
 * the moment this reads as a component it stops reading as work. */
body.v6 .v6-piece-media img,
body.v6 .v6-piece-media video {
  border-radius: 2px;
  box-shadow: 0 0 0 1px color-mix(in srgb, var(--v4-ink) 7%, transparent);
}
body.v6 .v6-piece-media.is-mark img { box-shadow: none; }


/* Fixed chrome means the last screenful of content scrolls underneath the corner labels. The
 * reference never hits this because its footer sits over empty space; this page ends on a dense
 * ledger, so the document needs to reserve the band the chrome occupies. */
body.v6 main { padding-bottom: calc(var(--v6-gutter) * 2 + 64px); }
@media (max-width: 760px) {
  /* the nav moves into the bottom row on small screens, so the reserve grows */
  body.v6 main { padding-bottom: calc(var(--v6-gutter) * 2 + 96px); }
}

/* ═════════════════════════════════════════════ pass 4: the detail layer
 *
 * The first three passes built the architecture and stopped, which left the page correct and
 * lifeless. The reference carries 346 animated elements; the version before this one had a dozen.
 * What was missing was not another big move, it was every small one: what a link does when you
 * approach it, what a button feels like, what the cursor knows, what happens in the half second
 * before you commit to a click.
 */

/* ── the cursor label ──────────────────────────────────────────────────
 * The reference floats the project name beside the pointer instead of printing it under the
 * image. It is the single detail that makes their index feel alive, because the page appears to
 * know where you are looking. Ours carries the discipline and year too, which is the difference
 * between a gallery label and something a hiring manager can read. */
.v6-cursor-label {
  position: fixed; top: 0; left: 0; z-index: 90; pointer-events: none;
  display: grid; gap: 1px;
  padding: 7px 11px 8px;
  background: var(--v4-ink); color: var(--v4-paper);
  border-radius: 3px;
  opacity: 0; transform: translate3d(-100px, -100px, 0);
  transition: opacity .2s var(--v6-ease-soft);
  will-change: transform, opacity;
}
.v6-cursor-label.is-on { opacity: 1; }
.v6-cursor-label__name { font-size: 12px; letter-spacing: -.01em; line-height: 1.2; }
.v6-cursor-label__meta {
  font-size: 9.5px; letter-spacing: var(--v6-track-wide); text-transform: uppercase;
  opacity: .62; line-height: 1.2;
}
@media (hover: none) { .v6-cursor-label { display: none; } }

/* ── work pieces ───────────────────────────────────────────────────────
 * At rest the piece is slightly desaturated and sits still. On approach it lifts a hair, the
 * colour comes up, and the frames begin to turn. Nothing moves far: the work is the subject and
 * the interaction should feel like attention rather than animation. */
body.v6 .v6-piece-media {
  cursor: none;    /* the label replaces the pointer, the way the reference does it */
  isolation: isolate;
}
body.v6 .v6-piece-media img,
body.v6 .v6-piece-media video {
  filter: saturate(.93) contrast(.99);
  transition:
    transform .62s var(--v6-ease),
    filter .62s var(--v6-ease),
    box-shadow .62s var(--v6-ease);
}
body.v6 .v6-piece-media:hover img,
body.v6 .v6-piece-media.is-playing img,
body.v6 .v6-piece-media:focus-visible img {
  filter: saturate(1) contrast(1);
  transform: scale(1.012);
  box-shadow: 0 0 0 1px color-mix(in srgb, var(--v4-ink) 11%, transparent),
              0 18px 50px -24px color-mix(in srgb, var(--v4-ink) 36%, transparent);
}

/* The frame counter. A hairline that fills as the flip-through advances, so a sixteen-frame brand
 * book reads as something with an extent rather than a loop with no end. */
body.v6 .v6-piece-progress {
  position: absolute; left: 0; right: 0; bottom: -1px; height: 1px;
  background: color-mix(in srgb, var(--v4-ink) 12%, transparent);
  opacity: 0; transition: opacity .3s var(--v6-ease-soft);
  overflow: hidden;
}
body.v6 .v6-piece-media.is-playing .v6-piece-progress { opacity: 1; }
body.v6 .v6-piece-progress span {
  display: block; height: 100%; background: var(--v4-accent);
  transform-origin: left center; transform: scaleX(0);
  transition: transform .1s linear;
}

/* The printed caption steps back once the cursor label is doing the naming, rather than saying
 * the same thing twice. It stays for keyboard and for touch, where there is no cursor to label. */
body.v6 .v6-piece-name {
  transition: opacity .34s var(--v6-ease), transform .34s var(--v6-ease);
}
body.v6 .v6-piece-media:focus-visible .v6-piece-name { opacity: 1; transform: none; }
body.v6 .v6-piece-meta { transition: color .34s var(--v6-ease); }
body.v6 .v6-piece-media:hover .v6-piece-meta { color: var(--v4-ink-2); }

/* ── links ─────────────────────────────────────────────────────────────
 * A rule that draws from the left on approach and leaves from the right on exit, so the gesture
 * has a direction rather than just a state. */
body.v6 .v6-link {
  color: inherit; text-decoration: none; position: relative;
  padding-bottom: 1px;
}
body.v6 .v6-link::after {
  content: ""; position: absolute; left: 0; right: 0; bottom: 0; height: 1px;
  background: currentColor; opacity: .32;
  transform: scaleX(1); transform-origin: right center;
  transition: transform .4s var(--v6-ease), opacity .4s var(--v6-ease);
}
body.v6 .v6-link:hover::after { opacity: 1; transform-origin: left center; }
body.v6 .v6-link:hover { color: var(--v4-accent); }

/* ── nav and view switcher ─────────────────────────────────────────────
 * The reference puts About and Contact top left and the view modes top right, and the switcher is
 * the thing that tells you the site has more than one opinion about its own work. */
body.v6 .v6-nav--l { grid-row: 1; grid-column: 1; justify-self: start; align-self: start; }

body.v6 .v6-views {
  grid-row: 1; grid-column: 3; justify-self: end; align-self: start;
  display: flex; gap: 2px; padding: 2px;
  border: 1px solid var(--v4-line); border-radius: 999px;
}
body.v6 .v6-view {
  appearance: none; border: 0; background: transparent; cursor: pointer;
  display: grid; place-items: center;
  /* Icons rather than words. "Reel" and "Index" are this site's names for its own views, so the
   * words were explaining a vocabulary nobody arrives with; one frame against four says the same
   * thing without asking anyone to read it. The names survive as aria-label and title, so the
   * control is still announced and still hoverable for anyone who wants the word. */
  width: 30px; height: 26px; padding: 0;
  color: var(--v4-mute); border-radius: 999px;
  transition: color .3s var(--v6-ease), background-color .3s var(--v6-ease);
}
body.v6 .v6-view svg {
  width: 15px; height: 15px; display: block;
  fill: none; stroke: currentColor; stroke-width: 1.25;
}
body.v6 .v6-view:hover { color: var(--v4-ink); }
body.v6 .v6-view.is-on { color: var(--v4-paper); background: var(--v4-ink); }
body.v6 .v6-view:focus-visible { outline: 2px solid var(--v4-accent); outline-offset: 2px; }

/* ── the two views ─────────────────────────────────────────────────────
 * Reel is the work at size. Index is the same eight pieces as a table, which is what someone
 * deciding whether to run a search actually wants and what the reference has no equivalent of. */
body.v6[data-view="index"] .v6-reel,
body.v6[data-view="reel"] .v6-index { display: none; }

body.v6 .v6-index { padding: 14vh var(--v6-gutter) 0; max-width: 1080px; margin: 0 auto; }
body.v6 .v6-index-head,
body.v6 .v6-row {
  display: grid; grid-template-columns: 2fr 2fr .7fr .9fr; gap: 16px; align-items: baseline;
}
body.v6 .v6-index-head { padding-bottom: 10px; border-bottom: 1px solid var(--v4-line); }
body.v6 .v6-row {
  padding: 17px 0; border-bottom: 1px solid var(--v4-line);
  color: inherit; text-decoration: none;
  transition: color 160ms ease;
}
body.v6 .v6-row:hover { color: var(--v4-accent); }
body.v6 .v6-row__n { font-size: var(--v6-step-2); letter-spacing: var(--v6-track-tight); }
body.v6 .v6-row__d,
body.v6 .v6-row__y,
body.v6 .v6-row__c { font-size: var(--v6-step-1); color: var(--v4-ink-2); }
body.v6 .v6-row__c { color: var(--v4-mute); text-align: right; }
@media (max-width: 760px) {
  body.v6 .v6-index-head { display: none; }
  body.v6 .v6-row { grid-template-columns: 1fr auto; row-gap: 3px; }
  body.v6 .v6-row__c { display: none; }
}

/* ── the call to action ────────────────────────────────────────────────
 * One real button on the page. The arrow moves before the fill does, so the thing leans toward
 * you slightly ahead of committing. */
body.v6 .v6-cta {
  display: inline-flex; align-items: center; gap: 10px;
  padding: 13px 20px 12px; margin-bottom: 18px;
  border: 1px solid var(--v4-ink); border-radius: 999px;
  color: var(--v4-ink); text-decoration: none;
  font-size: var(--v6-step-1); letter-spacing: var(--v6-track-tight);
  background: transparent;
  transition: background-color .42s var(--v6-ease), color .42s var(--v6-ease);
}
body.v6 .v6-cta__arr { transition: transform .42s var(--v6-ease); }
body.v6 .v6-cta:hover { background: var(--v4-ink); color: var(--v4-paper); }
body.v6 .v6-cta:hover .v6-cta__arr { transform: translateX(5px); }
body.v6 .v6-cta:focus-visible { outline: 2px solid var(--v4-accent); outline-offset: 3px; }

/* ── text ──────────────────────────────────────────────────────────────
 * The opening was set flat and read as filler. Optical sizing, a tighter measure and a slightly
 * darker ink make it a statement rather than a caption. */
body.v6 .v6-opening {
  max-width: 44ch;
  color: var(--v4-ink);
  font-size: clamp(16px, 1.9vw, 19px);
  line-height: 1.52;
  letter-spacing: -.004em;
  text-wrap: balance;
}
body.v6 .v6-label { transition: color .3s var(--v6-ease); }
body.v6 .v6-chrome:hover .v6-label { color: var(--v4-ink-2); }

body.v6 .v6-ledger dd { transition: color .3s var(--v6-ease); }
body.v6 .v6-ledger div:hover dd { color: var(--v4-ink); }
body.v6 .v6-ledger div:hover dt { color: var(--v4-accent); }
body.v6 .v6-ledger dt { transition: color .3s var(--v6-ease); }

body.v6 footer.v6-end .v6-small { margin: 28px 0 0; }

@media (prefers-reduced-motion: reduce) {
  body.v6 .v6-piece-media { cursor: pointer; }
  body.v6 .v6-piece-media img, body.v6 .v6-row, body.v6 .v6-cta,
  body.v6 .v6-cta__arr, body.v6 .v6-link::after { transition: none; }
  .v6-cursor-label { display: none; }
}

/* ── pass 4 corrections, found on screen ───────────────────────────────
 * 1. The printed caption and the cursor label were both naming the piece at the same time. The
 *    label is the better of the two because it is where the eye already is, so the printed name
 *    stands down on pointer devices and stays for keyboard and touch, where there is no label.
 * 2. Pieces were tall enough to run under the wordmark. The reference lets work pass behind its
 *    chrome, but its assets are small objects with air around them; a full-bleed storefront at
 *    94vh just obscures the mark. Capping the media height keeps a band clear top and bottom.
 */
@media (hover: hover) {
  body.v6 .v6-piece-media:hover .v6-piece-name { opacity: 0; transform: translateY(5px); }
}
body.v6 .v6-piece-media img,
body.v6 .v6-piece-media video {
  max-height: 74vh;
  width: auto;
  max-width: 100%;
  margin-inline: auto;
}
body.v6 .v6-piece-media { display: flex; flex-direction: column; }

/* ── reserving the chrome band ─────────────────────────────────────────
 * Fixed chrome occupies a strip at the top and bottom of every screen, and three separate things
 * ended up underneath it: the index header row, the ledger, and the page footer. Rather than
 * patching each one, declare the band once and have every view reserve it.
 */
:root { --v6-chrome-band: calc(var(--v6-gutter) * 2 + 46px); }

body.v6 .v6-index { padding-top: calc(var(--v6-chrome-band) + 4vh); }
body.v6 .v6-intro { padding-top: var(--v6-chrome-band); }
body.v6 main { padding-bottom: 0; }

/* The index header has to stay readable while the rows scroll past it. */
body.v6 .v6-index-head {
  position: sticky; top: var(--v6-chrome-band); z-index: 5;
  background: var(--v4-paper);
  padding-top: 10px;
}
@media (max-width: 760px) {
  :root { --v6-chrome-band: calc(var(--v6-gutter) * 2 + 78px); }
}

/* ── index view, corrected ─────────────────────────────────────────────
 * The sticky header collided with the wordmark on its way out, because the chrome is a gradient
 * scrim rather than a solid bar and anything passing beneath it stays half visible. For eight rows
 * a sticky header buys nothing worth that, so it scrolls with the table.
 *
 * The opening paragraph also stands down here. Index is the dense reading: eight projects, their
 * discipline and year, on one screen. A full screen of prose before it defeats the point.
 */
body.v6 .v6-index-head { position: static; top: auto; }
body.v6[data-view="index"] .v6-intro { display: none; }
body.v6[data-view="index"] .v6-index { padding-top: calc(var(--v6-chrome-band) + 6vh); }

/* ══════════════════════════════════ pass 6: back to the reference
 *
 * The mosaic was wrong. Beats of two and three put projects side by side and dmcg.co never does
 * that: measured on their home page, every card is a square between 37% and 58% of viewport width,
 * one per screen, centred, with nothing else in frame.
 *
 * So each project gets a stage of its own and a square plate inside it. The plate size varies
 * project to project across the same range, which is what stops a column of squares reading as a
 * contact sheet. The opening frame is chosen by the build, scored for how well it holds up cropped
 * square, because the reference gets that by hand-composing square assets and this has to get it
 * by selection.
 */
body.v6 .v6-reel {
  padding: 0 var(--v6-gutter);
  display: block;
}

/* ── the three-column rhythm ───────────────────────────────────────────
 * Projects used to run straight down the middle, one per screen, which gave every one of the 24
 * the same entrance and made the scroll feel like paging a PDF. They now sit left, centre or
 * right on a seeded rhythm (see columns() in the builder) so the eye zigzags down the page.
 *
 * The shift is padding on the opposite side rather than a transform, because the plate's transform
 * belongs to the float-in below and the two would overwrite each other.
 *
 * Stages are shorter than a full screen on purpose. At 100vh you can only ever see one plate, so
 * the rhythm would exist only in memory; at 84vh the next one is just breaking the bottom edge as
 * you leave the last, which is what makes the stagger legible. It is the one place this pass
 * trades against "each project in frame with no others around it" -- raise --v6-stage-h back to
 * 100vh to get that rule back exactly.
 */
body.v6 {
  --v6-stage-h: 92vh;
  --v6-col-shift: 26vw;
}
body.v6 .v6-stage {
  min-height: var(--v6-stage-h);
  display: grid;
  place-items: center;
}
body.v6 .v6-stage[data-col="l"] { padding-right: var(--v6-col-shift); }
body.v6 .v6-stage[data-col="r"] { padding-left: var(--v6-col-shift); }

/* Float-in. The plate drifts up and in from its own side, so a left plate arrives from the left.
 * Slower and softer than the page's standard reveal: these are the only elements big enough to
 * carry a long move without it reading as a UI animation. */
body.v6 .v6-plate[data-reveal] {
  /* A fade, not the blur-to-sharp the rest of the page uses: the plate is the only element on its
     screen, a 14px blur over a 560px video costs a frame, and a project should simply be there
     once it is in view. The drift from its own side stays, slower than anything else. */
  filter: none;
  transition-duration: 1.1s;
  transition-timing-function: cubic-bezier(.17, .72, .24, 1);
  transition-property: opacity, transform;
}
body.v6 .v6-stage[data-col="l"] .v6-plate { transform: translate3d(-32px, 46px, 0); }
body.v6 .v6-stage[data-col="r"] .v6-plate { transform: translate3d( 32px, 46px, 0); }
body.v6 .v6-stage[data-col="c"] .v6-plate { transform: translate3d(  0,   50px, 0); }
body.v6 .v6-stage .v6-plate.is-revealed { transform: none; }

@media (max-width: 860px) {
  /* No room to stagger: the plates are nearly the width of the screen already. */
  body.v6 { --v6-col-shift: 0px; --v6-stage-h: 88vh; }
}

body.v6 .v6-plate {
  position: relative;
  display: block;
  width: clamp(280px, var(--size, 48vw), 620px);
  text-decoration: none; color: inherit;
  cursor: none;
}

/* The square. object-fit cover rather than contain, because these are photographs and spreads
 * rather than the reference's pre-composed square plates: contain would letterbox them onto the
 * paper and lose the crop entirely. */
body.v6 .v6-plate-inner {
  position: relative;
  display: block;
  overflow: visible;
  transition: transform .6s var(--v6-ease);
}
/* The field behind the graphic.
 *
 * The colour is a card the same size as the artwork, sitting behind it, shifted --v6-inset on both
 * axes: it shows on two sides and the artwork overhangs it on the other two. That is the Apple tile
 * exactly. An earlier cut made the colour a larger box the artwork sat inside, flush on two edges,
 * which read as every plate pinned to a corner; Chris sent it back.
 *
 * The corner cycles per plate (tl, br, tr, bl) so the scroll has a rhythm. The colour is the case
 * page's own ground (_tools/v6-page-colours.json) and paints only on hover, fading on a ::before;
 * at rest the plate is the artwork on paper. The inset scales down on small screens. */
body.v6 { --v6-inset: clamp(24px, 3.5vw, 50px); }
body.v6 .v6-field {
  position: relative; display: block;
  width: 100%;
  isolation: isolate;
}
body.v6 .v6-field[data-corner="tl"] { --fx: calc(-1 * var(--v6-inset)); --fy: calc(-1 * var(--v6-inset)); }
body.v6 .v6-field[data-corner="br"] { --fx: var(--v6-inset);             --fy: var(--v6-inset); }
body.v6 .v6-field[data-corner="tr"] { --fx: var(--v6-inset);             --fy: calc(-1 * var(--v6-inset)); }
body.v6 .v6-field[data-corner="bl"] { --fx: calc(-1 * var(--v6-inset)); --fy: var(--v6-inset); }
body.v6 .v6-field::before {
  content: ""; position: absolute; inset: 0; z-index: -1; border-radius: 2px;
  transform: translate(var(--fx, 0), var(--fy, 0));
  background: linear-gradient(180deg, var(--g1, transparent), var(--g2, transparent));
  opacity: 0; transition: opacity .45s var(--v6-ease-soft);
}
body.v6 .v6-plate.is-orbiting .v6-field::before,
body.v6 .v6-plate:hover .v6-field::before,
body.v6 .v6-plate:focus-visible .v6-field::before { opacity: 1; }

/* The colour overhangs the artwork by the inset, so the inner cannot clip and the caption needs
 * the inset reserved under it, whichever way this plate's colour falls. */
body.v6 .v6-plate-inner { overflow: visible !important; margin-bottom: var(--v6-inset); }

body.v6 .v6-face {
  position: relative; display: block;
  width: 100%; height: auto;
  border-radius: 1px;
  filter: saturate(.94) contrast(.99);
  transition: filter .6s var(--v6-ease), transform .7s var(--v6-ease);
}

/* The graphic grows as the fan comes out. Driven by the orbit's own state class rather than
 * :hover, so keyboard focus gets the same growth and the behaviour is one thing, not two. The
 * whole inner square scales -- field and face together -- so the coloured ground grows with the
 * work instead of the work growing inside a fixed mat. An earlier cut eased the face back 2.5%
 * "so the petals had somewhere to be"; Chris wanted the opposite, and the petals have the stage. */
body.v6 .v6-plate-inner { transform: translate(var(--mx, 0px), var(--my, 0px)); }
body.v6 .v6-plate.is-orbiting .v6-plate-inner,
body.v6 .v6-plate:hover .v6-plate-inner,
body.v6 .v6-plate:focus-visible .v6-plate-inner { transform: translate(var(--mx, 0px), var(--my, 0px)) scale(1.06); }
body.v6 .v6-plate:hover .v6-face { filter: saturate(1) contrast(1); }

/* The wordmark, small, under the graphic and above the caption. White-on-transparent logos are
 * inverted onto the paper: every one in the set is monochrome, so the inversion is exact. */
body.v6 .v6-plate-logo { display: flex; justify-content: center; align-items: center; height: 30px; margin: 20px auto 8px; }
body.v6 .v6-plate-logo img { display: block; object-fit: contain; opacity: .82; }
body.v6 .v6-plate-logo.is-white img { filter: invert(1); }
body.v6 .v6-plate:hover .v6-plate-logo img { opacity: 1; }

/* caption centred under the field */
body.v6 .v6-plate-name, body.v6 .v6-plate-meta { text-align: center; }

/* Caption sits under the plate. The cursor label names it on pointer devices, so this is the
 * keyboard and touch path and the quiet year line. */
body.v6 .v6-plate-name {
  display: block; margin-top: 16px;
  font-size: var(--v6-step-1); letter-spacing: var(--v6-track-tight);
  opacity: 0; transform: translateY(4px);
  transition: opacity .34s var(--v6-ease), transform .34s var(--v6-ease);
}
body.v6 .v6-plate-meta {
  display: block; margin-top: 2px;
  font-size: var(--v6-step-0); letter-spacing: var(--v6-track-wide);
  text-transform: uppercase; color: var(--v4-mute);
}
body.v6 .v6-plate:focus-visible .v6-plate-name { opacity: 1; transform: none; }
@media (hover: none) {
  body.v6 .v6-plate-name { opacity: 1; transform: none; }
  body.v6 .v6-plate { cursor: pointer; }
}

@media (max-width: 760px) {
  body.v6 .v6-plate { width: min(86vw, 420px); }
  body.v6 .v6-stage { min-height: 82vh; }
}
@media (prefers-reduced-motion: reduce) {
  body.v6 .v6-plate { cursor: pointer; }
  body.v6 .v6-frame, body.v6 .v6-plate-inner { transition: none; }
  body.v6 .v6-plate-name { opacity: 1; transform: none; }
}

/* ── each project settles into the centre of the frame ─────────────────
 * "Scrolls into frame center with no other projects around it." Proximity snapping rather than
 * mandatory: a visitor who wants to scan past at speed is never fought, but a scroll that comes to
 * rest near a project pulls it to the middle. Mandatory snapping on a long page is the kind of
 * thing that feels clever once and obstructive after that.
 *
 * The stage also has to clear the fixed chrome, or a tall plate centres itself behind the wordmark.
 */
body.v6 .v6-reel { scroll-snap-type: y proximity; }
body.v6 .v6-stage {
  scroll-snap-align: center;
  scroll-snap-stop: normal;
  padding-block: var(--v6-chrome-band);
  box-sizing: border-box;
}
/* The plate is capped against its own stage, not the whole viewport, so the square never grows
 * taller than the band between the chrome. This has to follow --v6-stage-h: when the stages
 * shortened to 84vh and this still said 100vh, the tallest plates ran up under the header. */
body.v6 .v6-plate {
  /* Bigger than before: the cap was 620px and the stage height less two chrome bands, which on a
   * 900px screen held every plate near 520. One band plus the caption is all a plate has to clear. */
  width: min(clamp(300px, var(--size, 52vw), 780px),
             calc(var(--v6-stage-h) - var(--v6-chrome-band) - 110px));
}
@media (max-width: 760px) {
  body.v6 .v6-stage { padding-block: calc(var(--v6-chrome-band) * 0.7); }
  body.v6 .v6-plate { width: min(86vw, calc(var(--v6-stage-h) - var(--v6-chrome-band) * 1.6 - 70px)); }
}


/* ── orbit ────────────────────────────────────────────────────────────
 * The project's frames fall into orbit around it on hover.
 *
 * The earlier pass took the reference's engine along with its idea -- cards fanning out along
 * cubic-bezier tethers, driven by CSS transitions, connectors lifting as the branch went live.
 * The tethers are gone, and with them the transitions: zn-plate-orbit.js integrates spring,
 * gravity and damping per frame and writes the transform itself, so the ring keeps a slow bounce
 * toward the core instead of easing to a stop. Nothing here may animate transform or opacity, or
 * the browser will fight the integrator for control of the same two properties.
 */
body.v6 .v6-orbit {
  position: absolute; inset: 0;
  pointer-events: none;
  z-index: 3;
  /* A hard switch, not a fade. Each card fades itself in the integrator, and a transition here
   * would lay a second fade over the first. */
  visibility: hidden;
}
body.v6 .v6-orbit.is-live { visibility: visible; }

body.v6 .v6-orbit__card {
  position: absolute;
  /* anchored at the plate's origin; the integrator writes the full offset, centred on the field */
  left: 0; top: 0;
  width: 100%;
  opacity: 0;
  border-radius: 2px;
  overflow: hidden;
  will-change: transform, opacity;
  box-shadow: 0 0 0 1px color-mix(in srgb, var(--v4-ink) 10%, transparent),
              0 14px 34px -18px color-mix(in srgb, var(--v4-ink) 45%, transparent);
}
body.v6 .v6-orbit__card img { display: block; width: 100%; height: auto; object-fit: contain; }

/* The ring needs room outside the square, so the tile cannot clip it. */
body.v6 .v6-plate-inner { overflow: hidden; }
body.v6 .v6-plate { overflow: visible; }

@media (hover: none), (prefers-reduced-motion: reduce) {
  body.v6 .v6-orbit { display: none; }
  body.v6 .v6-plate.is-orbiting .v6-plate-inner { transform: none; }
  body.v6 .v6-plate-inner { transform: none; }
}


/* ── fit, not fill ─────────────────────────────────────────────────────
 * Psychedelic Science is a 16:9 tile and a square cover crop cut the middle out of it. Everything
 * is fitted now. The square stage stays, because that is what gives the page its rhythm; the asset
 * sits inside it at its own proportions with the paper showing around it.
 */
body.v6 .v6-plate-inner { overflow: visible; }
body.v6 .v6-face { border-radius: 2px; }


/* ── About and Contact ───────────────────────────────────────────────
 * The two text pages, cut to the homepage's rules rather than reskinned. The numbers come from
 * Chris's own sites, measured: a masthead of one to four words at 96-140px that turns italic in
 * its last word or two, one display paragraph under 60 words as the body, one eyebrow per section
 * and never over a paragraph, five to seven type sizes on the page, one meta grid of four pairs,
 * one pill CTA as the smallest text on the page, three hairlines at most, and air spent in a few
 * large runs between sections rather than in many small gaps. The page vocabulary adds exactly
 * two sizes to the homepage's five: the masthead and the section head.
 *
 * Nyght Serif Light Italic is already in the asset library for the studio pages; it carries the
 * italic turn and nothing else -- two words at most, masthead and section openers only. */
/* Two families, both by Rajesh Rajput, both in Text and Display cuts (2026-10-23, replacing
 * area-inktrap and Nyght Serif). Origin is the grotesk and does all the reading: the Text cut
 * below 20px, the Display cut above it, so small type keeps its open spacing and big type its
 * tight fit. Blubird is the voice: the masthead and section heads, and its italic for the one or
 * two words that used to turn serif. Served as OTF from assets/fonts/v6; there is no woff2 tool on
 * this machine and the ten files total 290KB. */
@font-face { font-family: "Origin"; src: url("/assets/fonts/v6/Origin-BlackText.otf") format("opentype"); font-weight: 900; font-display: swap; }
@font-face { font-family: "Origin"; src: url("/assets/fonts/v6/Origin-LightText.otf") format("opentype"); font-weight: 300; font-display: swap; }
@font-face { font-family: "Origin"; src: url("/assets/fonts/v6/Origin-RegularText.otf") format("opentype"); font-weight: 400; font-display: swap; }
@font-face { font-family: "Origin"; src: url("/assets/fonts/v6/Origin-MediumText.otf") format("opentype"); font-weight: 500; font-display: swap; }
@font-face { font-family: "Origin Display"; src: url("/assets/fonts/v6/Origin-LightDisplay.otf") format("opentype"); font-weight: 300; font-display: swap; }
@font-face { font-family: "Origin Display"; src: url("/assets/fonts/v6/Origin-RegularDisplay.otf") format("opentype"); font-weight: 400; font-display: swap; }
@font-face { font-family: "Origin Display"; src: url("/assets/fonts/v6/Origin-MediumDisplay.otf") format("opentype"); font-weight: 500; font-display: swap; }
@font-face { font-family: "Blubird"; src: url("/assets/fonts/v6/Blubird-RegularDisplay.otf") format("opentype"); font-weight: 400; font-display: swap; }
@font-face { font-family: "Blubird"; src: url("/assets/fonts/v6/Blubird-RegularDisplayItalic.otf") format("opentype"); font-weight: 400; font-style: italic; font-display: swap; }
body.v6 .v6-mast, body.v6 .v6-h, body.v6 .v6-case-open, body.v6 .v6-case-next__name {
  font-family: "Blubird", "Origin Display", "Helvetica Neue", sans-serif;
}
body.v6 .v6-display, body.v6 .v6-plate-name, body.v6 .v6-opening, body.v6 .v6-closing {
  font-family: "Origin", "Helvetica Neue", sans-serif;
}
body.v6 {
  --v6-mast: clamp(40px, 5.6vw, 84px);      /* masthead; was 56-128, too big */
  --v6-head: clamp(26px, 2.7vw, 38px);      /* section head; was 32-56 */
  --v6-sec-gap: clamp(72px, 9vw, 128px);  /* text-to-text across a section boundary */
}
/* One column, one left edge. The first cut centred each child as its own block, so a 16ch
 * masthead and a 30ch paragraph landed on different left edges -- the page read as broken. The
 * column is centred once, here, and everything inside it is left-aligned to it. */
body.v6 .v6-page { max-width: 1120px; margin-inline: auto; padding: 0 var(--v6-gutter) 0; box-sizing: content-box; }

/* First ink lands at ~150px from the top, under the chrome band, which is where his own pages put
 * it; the earlier version parked the masthead at the foot of a 62vh block and pushed the display
 * paragraph off the first screen. */
body.v6 .v6-mast-wrap { padding-top: calc(var(--v6-chrome-band) + 4px); padding-bottom: 32px; }
body.v6 .v6-mast {
  font-size: var(--v6-mast); font-weight: 400; line-height: 1.12; letter-spacing: 0;
  margin: 0; max-width: 16ch; text-wrap: balance;
}
body.v6 .v6-mast i, body.v6 .v6-h i {
  font-family: "Blubird", "Origin Display", sans-serif; font-style: italic; font-weight: 400;
  letter-spacing: 0;
}
/* the display paragraph that is the body of the page */
body.v6 .v6-display {
  font-size: var(--v6-step-4); line-height: 1.45; letter-spacing: 0;
  max-width: 38ch; margin: 0; text-wrap: pretty;
}
body.v6 .v6-mast-wrap + .v6-display { margin-top: 0; }

body.v6 .v6-sec { margin-top: var(--v6-sec-gap); display: grid; grid-template-columns: 1fr; gap: 20px; }
@media (min-width: 900px) {
  /* label rail and content column: the eyebrow at the left edge, the content from the second
     column, top-aligned to its first line */
  body.v6 .v6-sec { grid-template-columns: 220px 1fr; column-gap: 40px; }
}
body.v6 .v6-sec .v6-label { padding-top: .55em; }
body.v6 .v6-h {
  font-family: "Blubird Text", "Origin", sans-serif;
  font-size: var(--v6-head); font-weight: 400; line-height: 1.2; letter-spacing: 0;
  margin: 0 0 20px; max-width: 26ch; text-wrap: balance;
}
body.v6 .v6-lede { font-size: 17px; line-height: 1.6; max-width: 58ch; text-wrap: pretty; margin: 0; color: var(--v4-ink); }
body.v6 .v6-lede + .v6-lede { margin-top: 18px; }
body.v6 .v6-list { list-style: none; margin: 24px 0 0; padding: 0; max-width: 46ch; }
body.v6 .v6-list li { font-size: 17px; line-height: 1.6; padding: 0; display: flex; gap: 14px; }
body.v6 .v6-list li::before { content: "\2014"; color: var(--v4-mute); flex: none; }

/* the one meta grid: four pairs, one baseline, labels at half strength */
body.v6 .v6-meta {
  margin-top: var(--v6-sec-gap); padding-top: 40px; border-top: 1px solid var(--v4-line);
  display: grid; grid-template-columns: repeat(2, 1fr); gap: 32px 40px;
}
@media (min-width: 900px) { body.v6 .v6-meta { grid-template-columns: repeat(4, 1fr); } }
body.v6 .v6-meta dt { font-size: var(--v6-step-0); letter-spacing: var(--v6-track-wide); text-transform: uppercase; color: var(--v4-mute); margin: 0 0 10px; }
body.v6 .v6-meta dd { margin: 0; font-size: 17px; line-height: 1.5; letter-spacing: 0; }
body.v6 .v6-meta dd a { color: inherit; text-decoration: none; }
body.v6 .v6-meta dd a:hover { color: var(--v4-accent); }

body.v6 .v6-page-end { margin-top: var(--v6-sec-gap); padding-bottom: 80px; display: flex; flex-direction: column; align-items: flex-start; gap: 28px; }

/* closing line on the homepage and About: one sentence at the section-lead size, above the CTA */
body.v6 .v6-closing { font-size: var(--v6-step-3); line-height: 1.3; letter-spacing: -.01em; max-width: 34ch; margin: 0 0 8px; text-wrap: balance; }
body.v6 footer.v6-end .v6-closing { margin-bottom: 28px; }
/* the second intro paragraph on About reads at the lede size, directly under the display line */
body.v6 .v6-lede--intro { margin-top: 28px; }


/* Case studies: one content grid, a readable text measure, and compact navigation. */
body.v6 .v6-case { --case-width: 1120px; --case-gap: clamp(64px, 7vw, 96px); max-width: none; padding: 0; }
body.v6 .v6-case-head,
body.v6 .v6-case-hero,
body.v6 .v6-case-media,
body.v6 .v6-case-end {
  width: min(calc(100% - var(--v6-gutter) * 2), var(--case-width));
  margin-inline: auto;
  box-sizing: border-box;
}
body.v6 .v6-case-head { padding: calc(var(--v6-chrome-band) + 24px) 0 36px; }
body.v6 .v6-case-title { margin: 0; font-family: "Origin Display", "Origin", sans-serif; font-size: clamp(30px, 3.4vw, 46px); font-weight: 500; line-height: 1.15; text-wrap: balance; }
body.v6 .v6-case-sub { display: block; margin-top: 10px; font-family: "Origin", sans-serif; font-size: clamp(18px, 1.8vw, 22px); font-weight: 400; line-height: 1.4; color: var(--v4-ink-2); }
body.v6 .v6-case-credit { display: flex; flex-wrap: wrap; align-items: baseline; gap: 8px 16px; max-width: none; margin: 20px 0 0; font-size: 14px; line-height: 1.6; color: var(--v4-ink-2); }
body.v6 .v6-case-status { font-size: 12px; white-space: nowrap; color: var(--v4-mute); }
body.v6 .v6-case-hero { display: grid; }
body.v6 .v6-case-text { width: min(calc(100% - var(--v6-gutter) * 2), 640px); margin: var(--case-gap) auto; }
body.v6 .v6-case-text > * { max-width: none; }
body.v6 .v6-case-text p { margin: 0 0 24px; font-size: 18px; line-height: 1.65; color: var(--v4-ink); text-wrap: pretty; }
body.v6 .v6-case-text p:last-child { margin-bottom: 0; }
body.v6 .v6-case-open { font-family: "Blubird", "Origin", sans-serif; font-size: clamp(26px, 2.6vw, 34px); font-weight: 400; line-height: 1.2; margin: 0 0 24px; text-wrap: balance; }
body.v6 .v6-case-media { display: grid; grid-template-columns: repeat(12, minmax(0, 1fr)); gap: 48px 24px; align-items: start; }
body.v6 .v6-case-media [data-cell="full"] { grid-column: 1 / -1; }
body.v6 .v6-case-media [data-cell="wide"] { grid-column: 2 / 12; }
body.v6 .v6-case-media [data-cell="left"] { grid-column: 1 / 8; }
body.v6 .v6-case-media [data-cell="right"] { grid-column: 6 / 13; }
body.v6 .v6-case-media [data-cell="half"] { grid-column: span 6; }
body.v6 .v6-case-media [data-cell="third"] { grid-column: span 4; }
body.v6 .v6-case-media [data-cell="lo"] { grid-column: 1 / 6; }
body.v6 .v6-case-media [data-cell="hi"] { grid-column: 7 / 13; }
body.v6 .v6-case-media + .v6-case-media { margin-top: 48px; }
body.v6 .v6-case-fig { margin: 0; min-width: 0; position: relative; isolation: isolate; }
body.v6 .v6-case-fig > img, body.v6 .v6-case-fig > video { display: block; width: 100%; height: auto; margin: 0; border-radius: 2px; }
body.v6 .v6-case-media [data-cell="full"] > img, body.v6 .v6-case-media [data-cell="wide"] > img { width: auto; max-width: 100%; max-height: 86vh; }
body.v6 .v6-case-pair { display: grid; grid-template-columns: 1fr 1fr; gap: 24px; align-items: start; }
body.v6 .v6-case-end { margin-block: var(--case-gap) 64px; border-top: 1px solid var(--v4-line); padding-top: 32px; }
body.v6 .v6-case-pagination { display: grid; grid-template-columns: minmax(0, 1fr) minmax(0, 1fr); gap: 32px; }
body.v6 .v6-case-prev, body.v6 .v6-case-next { display: flex; flex-direction: column; align-items: flex-start; gap: 12px; padding-block: 8px 20px; text-decoration: none; color: var(--v4-ink); }
body.v6 .v6-case-next { align-items: flex-end; text-align: right; }
body.v6 .v6-case-nav__name { font-family: "Origin", sans-serif; font-size: clamp(18px, 2vw, 24px); font-weight: 500; line-height: 1.35; text-wrap: balance; }
body.v6 .v6-case-prev:hover, body.v6 .v6-case-next:hover { color: var(--v4-accent); }
body.v6 .v6-case-footer-links { display: flex; flex-wrap: wrap; justify-content: space-between; gap: 16px 24px; margin-top: 28px; padding-top: 24px; border-top: 1px solid var(--v4-line); font-size: 14px; }
body.v6 .v6-case-end a:focus-visible { outline: 2px solid var(--v4-accent); outline-offset: 6px; }
@media (max-width: 760px) {
  body.v6 .v6-case-head { padding-top: calc(var(--v6-chrome-band) + 12px); padding-bottom: 28px; }
  body.v6 .v6-case-media { gap: 32px; }
  body.v6 .v6-case-media [data-cell] { grid-column: 1 / -1; }
  body.v6 .v6-case-text p { font-size: 17px; }
  body.v6 .v6-case-pair { grid-template-columns: 1fr; }
  body.v6 .v6-case-pagination { gap: 24px; }
  body.v6 .v6-case-end { margin-bottom: 40px; }
}

/* ─────────────────────────────────────────────── pass 26 (2026-10-26)
 * Six featured plates and a line to the rest; the career spine where the ledger was; one meta
 * grid of facts on the flagship cases; two demo films on About. The hairline budget is kept:
 * the spine draws one rule at its top and separates rows by air.
 */
/* One aligned reading column from the end of the reel through the contact footer. */
body.v6 .v6-more, body.v6 .v6-career, body.v6 footer.v6-end {
  width: min(calc(100% - var(--v6-gutter) * 2), 1040px);
  margin-inline: auto; box-sizing: border-box;
}
body.v6 .v6-more { text-align: left; padding: 0 0 40px; }
body.v6 .v6-more .v6-small { margin: 0; color: var(--v4-mute); max-width: none; }
body.v6 .v6-career { padding: 48px 0 56px; border-top: 1px solid var(--v4-line); scroll-margin-top: var(--v6-chrome-band); }
body.v6 .v6-career > .v6-label { display: block; margin: 0 0 16px; }
body.v6 .v6-career > .v6-lede { max-width: 65ch; margin: 0 0 40px; }
body.v6 .v6-career-list { list-style: none; margin: 0; padding: 0; }
body.v6 .v6-career-list li { display: grid; grid-template-columns: 100px 190px minmax(0, 1fr); gap: 32px; align-items: start; padding: 24px 0; border-top: 1px solid var(--v4-line); }
body.v6 .v6-career-list li:last-child { padding-bottom: 0; }
body.v6 .v6-career__when { color: var(--v4-mute); white-space: nowrap; padding-top: 3px; }
body.v6 .v6-career__who { display: flex; min-height: 32px; align-items: center; font-size: 17px; font-weight: 500; }
body.v6 .v6-career__who img { display: block; max-width: 100%; max-height: 40px; object-fit: contain; object-position: left center; filter: brightness(0); }
body.v6 .v6-career__who img[src$="made.jpg"] { filter: none; mix-blend-mode: multiply; }
body.v6 .v6-career__detail { min-width: 0; }
body.v6 .v6-career__what { margin: 0; font-size: 16px; line-height: 1.6; color: var(--v4-ink); }
body.v6 .v6-career__for { display: block; margin-top: 12px; font-size: 14px; line-height: 1.6; color: var(--v4-ink-2); text-wrap: pretty; }
body.v6 .v6-career__work-label { display: block; margin-bottom: 4px; font-size: 12px; color: var(--v4-mute); }
body.v6 .v6-career__for a { color: inherit; text-decoration: underline; text-decoration-color: var(--v4-line); text-underline-offset: 3px; }
body.v6 .v6-career__for a:hover { color: var(--v4-accent); }
body.v6 footer.v6-end .v6-closing { max-width: 44ch; font-size: 22px; line-height: 1.45; text-wrap: pretty; }
body.v6.v6-all-work .v6-intro .v6-opening { font-size: clamp(32px, 4vw, 48px); font-weight: 500; margin: 0; }
@media (max-width: 760px) {
  body.v6 .v6-career-list li { grid-template-columns: minmax(0, 1fr) auto; gap: 16px; padding-block: 28px; }
  body.v6 .v6-career__who { grid-row: 1; grid-column: 1; }
  body.v6 .v6-career__when { grid-row: 1; grid-column: 2; }
  body.v6 .v6-career__detail { grid-column: 1 / -1; }
  body.v6 .v6-career__who img { max-width: 160px; max-height: 32px; }
  body.v6 .v6-career { padding-block: 32px 40px; }
  body.v6 footer.v6-end { padding-block: 32px 48px; }
}

body.v6 .v6-case-facts {
  width: min(calc(100% - var(--v6-gutter) * 2), var(--case-width));
  margin: 0 auto var(--case-gap); padding: 24px 0 0;
  grid-template-columns: repeat(4, minmax(0, 1fr)); gap: 28px;
}
body.v6 .v6-case-facts dt { margin-bottom: 10px; font-size: 12px; }
body.v6 .v6-case-facts dd { font-size: 15px; line-height: 1.55; letter-spacing: 0; }
@media (max-width: 899px) { body.v6 .v6-case-facts { grid-template-columns: repeat(2, minmax(0, 1fr)); } }
@media (max-width: 480px) { body.v6 .v6-case-facts { grid-template-columns: 1fr; gap: 24px; } }

body.v6 .v6-demos { display: grid; grid-template-columns: 1fr 1fr; gap: clamp(16px, 2.4vw, 28px); margin-top: 36px; max-width: 900px; }
body.v6 .v6-demo { display: block; color: inherit; text-decoration: none; }
body.v6 .v6-demo__media { display: block; aspect-ratio: var(--ar, 16/10); overflow: hidden; background: var(--v4-paper-3); border-radius: 2px; }
body.v6 .v6-demo__media video { display: block; width: 100%; height: 100%; object-fit: cover; transition: transform .6s var(--v6-ease); }
body.v6 .v6-demo:hover .v6-demo__media video { transform: scale(1.03); }
body.v6 .v6-demo__row { display: flex; flex-wrap: wrap; gap: 4px 10px; align-items: baseline; margin-top: 12px; }
body.v6 .v6-demo__name { font-size: var(--v6-step-1); font-weight: 500; color: var(--v4-ink); }
body.v6 .v6-demo__what { flex-basis: 100%; order: 3; font-size: var(--v6-step-1); line-height: 1.5; color: var(--v4-ink-2); }
body.v6 .v6-demo .v6-cta__arr { color: var(--v4-mute); transition: color .3s var(--v6-ease), transform .3s var(--v6-ease); }
body.v6 .v6-demo:hover .v6-cta__arr { color: var(--v4-accent); transform: translate(2px, -2px); }
@media (max-width: 699px) { body.v6 .v6-demos { grid-template-columns: 1fr; } }

/* the ASCII field on hover: the dissolve canvas sits over the face and each petal */
body.v6 .v6-plate-inner { position: relative; }
body.v6 .v6-plate-inner .zn-reveal-field, body.v6 .v6-orbit__card .zn-reveal-field { border-radius: inherit; }


/* ─────────────────────────────────────────────── pass 27 (2026-10-26)
 * The work in the first viewport; names and disciplines visible without hover; text that is
 * readable the moment it is on screen; captions; films with controls; nothing fixed over the
 * imagery on a phone.
 */
body.v6 .v6-intro { min-height: 0; padding: calc(var(--v6-chrome-band) + 2vh) var(--v6-gutter) 4vh; }
body.v6 .v6-intro .v6-opening { font-size: clamp(22px, 2.2vw, 28px); line-height: 1.45; letter-spacing: 0; color: var(--v4-ink); max-width: 42ch; text-wrap: pretty; }
body.v6 .v6-intro-ways { margin: 18px auto 0; text-align: center; color: var(--v4-ink-2); }
body.v6 .v6-reel .v6-stage:first-child { min-height: 0; padding-top: 2vh; }
body.v6 .v6-plate-name { opacity: 1; transform: none; }
body.v6 .v6-plate-meta { color: var(--v4-mute); }

/* text never waits on the reveal; only imagery arrives */
body.v6 .v6-case-text[data-reveal], body.v6 .v6-sec[data-reveal], body.v6 .v6-career[data-reveal],
body.v6 .v6-meta[data-reveal], body.v6 .v6-more[data-reveal], body.v6 .v6-opening[data-reveal],
body.v6 .v6-closing[data-reveal], body.v6 .v6-page-end[data-reveal], body.v6 .v6-case-end[data-reveal],
body.v6 .v6-ledger[data-reveal] { opacity: 1; filter: none; transform: none; transition: none; }
body.v6 .v6-case-fig[data-reveal] { transition: opacity 200ms ease; filter: none; transform: none; }
body.v6 .v6-case-fig[data-reveal].is-revealed { filter: none; }

/* captions and notes */
body.v6 .v6-cap { display: block; margin: 12px 0 0; font-size: 14px; line-height: 1.5; color: var(--v4-ink-2); max-width: 70ch; text-wrap: pretty; }
body.v6 .v6-case-note { margin: var(--case-gap) auto; }
body.v6 .v6-case-note .v6-label { margin: 0 0 16px; max-width: none; }
body.v6 .v6-case-fig--film video { width: 100%; background: #000; }
/* Native video controls retain their normal auto-hide behavior. */

/* the chrome on a phone: everything in the top band, nothing fixed over the page */
@media (max-width: 760px) {
  body.v6 .v6-chrome { grid-template-rows: auto 1fr; grid-template-columns: 1fr auto; }
  body.v6 .v6-mark { grid-row: 1; grid-column: 1; text-align: left; justify-self: start; }
  body.v6 .v6-nav { grid-row: 1; grid-column: 2; align-self: start; }
  body.v6 .v6-nav--l { grid-row: 1; grid-column: 2; }
  body.v6 .v6-foot-l, body.v6 .v6-foot-r { display: none; }
  body.v6 .v6-chrome::after { display: none; }
  body.v6 .v6-case-note .v6-label { margin-left: 0; }
  body.v6 .v6-case-credit { flex-wrap: wrap; gap: 6px 12px; }
}
body.v6 .v6-case-note p.v6-label { font-size: var(--v6-step-0); line-height: 1.3; color: var(--v4-mute); }
@media (max-width: 760px) {
  body.v6 .v6-chrome { grid-template-rows: auto auto 1fr; }
  body.v6 .v6-nav--l { grid-row: 2; grid-column: 1; justify-self: start; margin-top: 8px; }
  body.v6 .v6-views { grid-row: 1; grid-column: 2; }
}
body.v6 .v6-nav a { color: var(--v4-ink-2); }
body.v6 .v6-plate:focus-visible { outline: 2px solid var(--v4-accent); outline-offset: 6px; border-radius: 2px; }
/* review (2026-10-26): the reel never widens the phone; contact answers first. The clip is phone-only:
   on a desktop the petals orbit past the reel's edge and a clip would cut the bloom. */
@media (max-width: 760px) {
  body.v6 .v6-reel { overflow-x: clip; }
  body.v6 .v6-stage[data-col="l"], body.v6 .v6-stage[data-col="r"] { padding-left: 0; padding-right: 0; }
  body.v6 .v6-stage[data-col="l"] .v6-plate, body.v6 .v6-stage[data-col="r"] .v6-plate, body.v6 .v6-stage[data-col="c"] .v6-plate { transform: translate3d(0, 40px, 0); }
  body.v6 .v6-stage .v6-plate.is-revealed { transform: none; }
}
body.v6 .v6-contact-now { display: flex; flex-wrap: wrap; align-items: center; gap: 12px 22px; margin: 28px 0 0; }
body.v6 .v6-mast-wrap:has(.v6-contact-now) + .v6-display { margin-top: 0; }
/* Chrome on glass (Chris, 2026-10-26): the top and bottom bands blur what scrolls under them
 * and tint toward the paper, fading to nothing, so the wordmark and labels stay legible over a
 * masthead or a photograph without drawing a bar. */
body.v6 .v6-chrome::before,
body.v6 .v6-chrome::after {
  height: calc(var(--v6-chrome-band) + 28px);
  -webkit-backdrop-filter: blur(18px) saturate(1.15);
  backdrop-filter: blur(18px) saturate(1.15);
}
body.v6 .v6-chrome::before {
  background: linear-gradient(rgba(244, 241, 234, .92), rgba(244, 241, 234, .72) 45%, rgba(244, 241, 234, 0));
  -webkit-mask-image: linear-gradient(#000 40%, rgba(0, 0, 0, .6) 70%, transparent);
  mask-image: linear-gradient(#000 40%, rgba(0, 0, 0, .6) 70%, transparent);
}
body.v6 .v6-chrome::after {
  height: calc(var(--v6-chrome-band) - 6px);
  background: linear-gradient(rgba(244, 241, 234, 0), rgba(244, 241, 234, .72) 55%, rgba(244, 241, 234, .92));
  -webkit-mask-image: linear-gradient(transparent, rgba(0, 0, 0, .6) 30%, #000 60%);
  mask-image: linear-gradient(transparent, rgba(0, 0, 0, .6) 30%, #000 60%);
}
@media (max-width: 760px) { body.v6 .v6-chrome::after { display: none; } }
/* the glass sits under the chrome's own text, over the page */
body.v6 .v6-chrome { isolation: isolate; }
body.v6 .v6-chrome::before, body.v6 .v6-chrome::after { z-index: -1; }
/* audit (2026-10-26): headings for assistive tech, the role on the phone index, footer labels */
body.v6 .v6-sr { position: absolute; width: 1px; height: 1px; margin: -1px; padding: 0; overflow: hidden; clip: rect(0 0 0 0); white-space: nowrap; border: 0; }
body.v6 h2.v6-label { font-size: var(--v6-step-0); font-weight: 500; }
@media (max-width: 760px) {
  body.v6 .v6-row { grid-template-columns: 1fr auto; grid-template-areas: "n y" "d c"; row-gap: 3px; }
  body.v6 .v6-row__n { grid-area: n; } body.v6 .v6-row__y { grid-area: y; justify-self: end; } body.v6 .v6-row__d { grid-area: d; }
  body.v6 .v6-row__c { display: block; grid-area: c; text-align: right; font-size: var(--v6-step-0); }
}
body.v6 .v6-case-note p + p.v6-label { margin-top: 36px; }
/* gallery notes (2026-10-26): full-view links, document lists */
body.v6 .v6-cap-link { color: var(--v4-mute); text-decoration: underline; text-underline-offset: 3px; white-space: nowrap; }
body.v6 .v6-cap-link:hover { color: var(--v4-accent); }
body.v6 .v6-case-docs { line-height: 2; }
/* nav (Chris, 2026-10-26): Work top left, About top right, Contact bottom right; no view switch */
body.v6 .v6-nav--r { grid-row: 1; grid-column: 3; justify-self: end; align-self: start; }
body.v6 .v6-foot-r.v6-nav { grid-row: 3; grid-column: 3; align-self: end; justify-self: end; display: flex; }
body.v6 .v6-foot-r.v6-nav a { color: var(--v4-ink-2); }
body.v6 .v6-views { display: none !important; }
@media (max-width: 760px) {
  body.v6 .v6-chrome { grid-template-rows: auto 1fr; grid-template-columns: 1fr auto; }
  body.v6 .v6-mark { grid-row: 1; grid-column: 1; }
  body.v6 .v6-nav--l, body.v6 .v6-nav--r, body.v6 .v6-foot-r.v6-nav { grid-row: 1; grid-column: 2; align-self: start; justify-self: end; margin-top: 0; display: flex; }
  body.v6 .v6-nav--l { margin-top: 0; }
  body.v6 .v6-chrome .v6-nav--l { justify-self: end; grid-row: 2; }
  body.v6 .v6-foot-r.v6-nav { grid-row: 2; }
}
@media (max-width: 760px) {
  body.v6 .v6-chrome { grid-template-rows: auto auto 1fr; grid-template-columns: 1fr auto auto auto; column-gap: 16px; }
  body.v6 .v6-mark { grid-row: 1; grid-column: 1 / -1; }
  body.v6 .v6-chrome .v6-nav--l { grid-row: 2; grid-column: 1; justify-self: start; }
  body.v6 .v6-nav--r { grid-row: 2; grid-column: 3; }
  body.v6 .v6-foot-r.v6-nav { grid-row: 2; grid-column: 4; }
  body.v6 .v6-nav--l, body.v6 .v6-nav--r, body.v6 .v6-foot-r.v6-nav { margin-top: 6px; }
}
/* no footer chrome (Chris, 2026-10-26): the band at the bottom is gone, so the glass goes with it */
body.v6 .v6-chrome { grid-template-rows: auto 1fr; }
body.v6 .v6-chrome::after { display: none; }
body.v6 .v6-foot-l, body.v6 .v6-foot-r { display: none !important; }
@media (max-width: 760px) { body.v6 .v6-chrome { grid-template-columns: 1fr auto auto; } body.v6 .v6-nav--r { grid-column: 3; } }
/* under the plate (Chris, 2026-10-26): the wordmark is the name, so the text name is for assistive tech only; one meta line, tight */
body.v6 .v6-plate-logo { margin: 18px auto 0; }
body.v6 .v6-plate-meta { margin-top: 8px; }
/* bloom room (2026-10-26): the six alternate left and right, so the shift and the plate cap leave the
   ring inside the viewport. 1.7 x the half-width plus a petal fits beside a 520px plate at 12vw. */
body.v6 { --v6-col-shift: 12vw; }
body.v6 .v6-plate { width: min(clamp(300px, var(--size, 52vw), 520px), calc(var(--v6-stage-h) - var(--v6-chrome-band) - 110px)); }
body.v6 .v6-reel .v6-stage:first-child { padding-top: 9vh; }

@font-face { font-family: "Blubird Text"; src: url("/assets/fonts/v6/Blubird-RegularText.otf") format("opentype"); font-weight: 400; font-display: swap; }
@font-face { font-family: "Blubird Text"; src: url("/assets/fonts/v6/Blubird-RegularTextItalic.otf") format("opentype"); font-weight: 400; font-style: italic; font-display: swap; }
body.v6 .v6-h i { font-family: "Blubird Text", "Origin", sans-serif; }